Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Thursday, February 2, 2012

The Literacy of Failure: Failing and Failing Forward

Source: CC Search
Failure is the new buzz word for the classroom.  Just today I read that good classroom apps for the  iPad embrace failure: "this culture of learning from adversity" (Jenny Magiera).  Interestingly, while professing to discuss failure, Magiera is really talking about adversity and success through personalization and differentiation.

Failure and adversity are not the same thing.  Adversity means difficulties or misfortune.  The word carries the connotation that a successful struggle is waged against these difficulties or misfortunes. Adversity is a temporary down.  Ironically, in YA literature, a protagonist's adversity is often caused by adult failures: divorce, neglect, abuse, abandonment, confusion, ineptitude...

Failure, on the other hand, means lack of success.  Implied in failure as descriptor is action something is tried that does not work. Failure is a real down.  Educators are easy on adversity, if slow to embrace it, but they shy away from failure. 

This is what the career-focused message of talking heads is all about.  It's time to get tougher in the classroom, so that failure is a very real, even probable, option.  Learning how to face it, get up and begin again, or change direction and focus so that success is a different option, are what is missing from today's classrooms.  But not missing from life.


The above two Rules from Dumbing Down Our Kids by Charles Sykes say it well.  Unfortunately,  not even iPad apps are created in the spirit of failure - sorry, teachers who think new apps are a panacea for the "have it too easy" generations.  As Magiera has learned, they are useful for working through how a failure happened, but so is f2f conversation.

How then, do students learn how to fail forward - learn how to learn from failure?

The ELA teacher can help. Experienced teachers know that failure is embedded in the writing process, and that talking though writing failures is essential to improvement.

Students should not only write, but also read, about failure.  Models for failure in YA novels are few and far between, but they can be found.  Adversity, on the other hand, is all over the place - it is perhaps the soul of fiction, memoir and creative non-fiction.  If reading about adversity were enough, we would not be pounded over the head with the message that "failure is the [missing] key to success."  To learn about failure, students need to (1) experience it and (2) read engaging texts about it. 

What are the key identifiers of a good literary failure?  After reading through both business and educational discussions of the topic, I identify these traits that we should look for in failure-based texts:
  • A character exhibits a growth in character through the failure - no growth, no rising above failure (some characters wallow in it) and no avoiding it later on
  • A character who bounces back from failure displays "zest, grit, self-control, social intelligence, gratitude, optimism and curiosity" while doing so (source: NYTimes) - to which I would add adaptability.  My criticism of this list of traits is that is not enough to differentiate failure from overcoming adversity. 
  • Failure is a result of intentional (not accidental) risk-taking
  • Failure is scary - characters fear the consequences of failure
  • Failure results when the challenge is hard or when it requires a significant change in behavior or expectation
  • Failure is a result of a character's own shortcomings
  • There is no shelter from a good failure - no safety net - or it won't happen (e.g.  the character is on his/her own)
  • Bouncing back from failure requires seeking and listening to good feedback, and then doing something different. There is quite a science growing around the idea of failing forward, which Bob Sutton in the Harvard Business Review (blog) describes as "The basic idea is, as soon as feasible after some action occurs, a facilitator and/or teacher should have a conversation with the key participants about what went right, what went wrong, and what could be done better next time."
  • Often, bouncing back is not possible - a character must bounce sideways
  • Examining what failed in a successful experience leads to learning
  • Failure is painful
  • For a character, failure can be final - which is to say, it may lead to death (this is also true of a business or a business product) or to an entire change in life's direction (not necessarily a bad thing)
Compare this list to the top 20 lists of YA literature. Few contemporary protagonists, be they normal or extraordinary young people, fail. Those who do fail, and survive failure, do not generally pause to reflect, gather feedback, and metacognate on what went well.  I suggest that most novels read in ELA classrooms are anti-failure models.  Like a classroom or school in which "everyone succeeds" - in which all efforts are roundly praised - contemporary protagonists, even those in darkly dystopian or realistic tales, do not suffer as a result of their own shortcomings.

No wonder we find that teens avoid situations that challenge their shortcomings, that C is the new F, that teachers are not challenging students with problems that can be failed.  Such as novels that are at the top of the Lexile range or essays that ask students to apply difficult ideas to a text.

Below I am providing some Resources for reading failure-based text.  It is interesting to me that most of these resources are at the HS level.  This suggests to me that the adult world of authors also does not believe that children can deal with the idea of failure.  Hmm.

What we need to do is to embed conversation about failure in our classrooms, to open the pipe, so to speak.  All of the resources below can spearhead that discussion.  This conversation is also, of course, an exercise in critical thinking.

Chidren's Books - It is interesting that there are endless lists of children's books about dealing with divorce, disease, disability, death, moving, potty training, and dentistry.  But very few about failure. 
  • Ish (Reynolds) - about not being perfect
  • The Girl Who Never Made Mistakes (Pett and Rubenstein) - an elementary school girl who (learning to fail)
  • The Berenstain Bears - Poppa is often guilty of failure, as are Brother and Sister - a good place to start might be The Berenstain Bears Picnic
  • Peanuts - Charlie Brown
Fiction, Drama - None of these is appropriate for elementary school.  Isn't it curious how few pieces I have identified?  Suggestions welcome.
  • Only You Can Save Mankind (Pratchett) - video game turns out to be real and failure to not win has a consequence (600L)
  • One-Eyed Cat (Fox) - boy shoots cat (1000L)
  • The Stone-Faced Boy (Fox) - failure to deal, but also failure to communicate
  • Wintergirls (Anderson) - eating disorders - one friend fails, the other succeeds (730L)
  • Jellicoe Road - (Marchetta) - consequences of a failure through two generations - fear of failure (820L)
  • Rash (Hautman) - failing forward in a future world (730L)
  • Ender's Game (Scott Card) - in which failure must be redirected (780L)
  • Romeo and Juliette - the failures of support systems  (can be read as early as 7th with some editing)
  • Monster (Myers) - is the failure the boy or the system?
  • Scorpions (Myers) - boy's experiment with gang life (610L)
  • Fahrenheit 451 (Bradbury) - future citizen faces his failure to resist (890L)
  • Othello - failure of trust
  • The Death of a Salesman - the failures of a salesman and father
  • The Mayor of Casterbridge (Hardy) - persistent gloom of failure as only Hardy can do it (1090L)
  • Catcher in the Rye - read as a failure story, is this going to be a failing forward or just the blame game?  (790L)
  • The Spy Who Came In From the Cold (le Carre) - great spy stuff anti-hero - also a new movie 
  • The Secret Agent (Conrad) - an earlier classic spy failure (1030L)
  • Seize the Day (Bellow) - down and out adult
  • Billy Liar (Waterhouse) - Yorkshire youth - 1959 - also a good film
  • Jasper Jones (Silvey) - Australian youth - Vietnam War Era - Prinz Prize and one of my current favorites for YA
Non-fiction - you might find the contrast of the articles and the first text to be ironic.  The irony becomes less when we realize that characters who are alone - who have no one with whom to talk - fail with more finality. 
Film and Media
  • Race to Nowhere - high-powered adolescent girl suicide
  • Fail-Safe (1964) - a classical look at military failure
  • Waiting for Superman - the failure of the educational system
  • Billy Liar (1963)
  • It's a Wonderful Life
  • The Apprentice: The Complete First Season - DVD - no one pounces on failure better than Donald Trump 
  • Iron Chef - TV and DVD of series
  • Survivor - play any episode and focus on the last few minutes: how is failure dealt with?  Is this a growing experience
  • The Amazing Race - play any episode and focus on how teams make adjustments
  • video games or game apps - any shoot 'em game, it seems - "Given that every game eventually ends in failure, there's a surprising amount of variety here" (review of Ziggurat app)

Thursday, January 12, 2012

The Monsters & Marvels of Metafiction

I have just finished reading Down the Mysterly River, and after reading it, I read reviews. All reviews crowed about the voice, premise, character development, dialogue, and settings, and I join this chorus.  But almost all reviewers expressed disappointment with the ending, including a reviewer Cory Doctorow (so you know it is a noticed YA title...).  I disagree.  I loved the ending.

I suspect that the reviewers (you can find them with a Google) did not understand that this is not just a fantasy; it is metafiction fantasy.  The ending is entirely appropriate to the genre. 

According to Pastoral Metafictional Action by John Ottinger III, "metafiction [is]— aware of itself yet also enjoyable as a simple quest fantasy."  In otherwords, metafiction writers work on two levels: they write in their genre, and they and/or their characters are aware of their roles within the play of the genre at the same time.  I add another dimension that I like and enjoy to this definition: Metafiction authors comment on some aspect the world in which they live, and this comment is often a strong statement.  As metafiction texts (fiction, movies, images) move up the scale in difficulty/grade level, these comments become more and more critical.  For example, a theme of a the children's book Chalk might be "Watch out! The story you make is REAL!"  An adult metafictional title might have the theme "Watch out! The story you make can also make you."

Watch this fabulous introduction to metafiction in children's books, Metafiction for Children: A User's Guide, from Phlip Nel.  Metafiction is NOT, Nel says, a form of postmodernism. It is its own genre.  He defines it as a book that reflects on what it means to be a book, or that has pictures that reflect on the nature of pictures - it is a book that self-consciously plays with its form.  His definition thus embraces pop-up books, interactive books, many classic picture books, very old, slightly old, and  contemporary pieces.  




Children's books, of course, are not the only - or the main - platform for metafiction.  The literary discussion/explanation online is fairly dense, but it amounts to this: metafiction is fiction that looks back upon itself, or that it out at itself from a fictional inside space. Periodically, and certainly in the endgame, the author/character connection is revealed to the reader and that character steps out of the story.  It is this intellectual fun-side that make metafiction especially appropriate to the classroom.  Students must engage in analysis and discussion, they must explore roots and connections, in order to fully grapple with the text.

These are not easy texts, precisely because the adult/creator voice and sensibility are omnipresent.  The vocabulary and syntax can be challenging.  To the student who does not enjoy fantasy, the narrative voice in a fantasy metafiction can be cloying.  There is, however, a metafictional text and movie accessible to every reader k-12.  Not all metafiction is fantasy; horror, mystery, historical and psycho-fiction also often fall into this genre. It is useful, however, for children to have a background in the most well-read fairy tales and fantasy before they dive into metafiction.  Readers of the more adult titles will benefit from having read widely in fiction. 

The best interactive books written especially for the iPad or Android tend to be metaphysical in nature. Some even transform a classical book or rhyme, like Pat the Bunny and Itsy Bitsy Spider, into a metaphysical experience.  After all, choice is a metacognitive act, and when that choice has been limited to elements of a text by the writer of that text...  The Fantastic Flying Books of Morris Lessmore would be a good place to start the app experience.  For the most part, apps are not fully there yet, but those that truly take advantage of the interactive experience will push the metafiction genre forward.

I have listed below my suggestions.  Add to these the titles highlighted by Philip Nel and those listed in his companion web post (see below).

Resources 

Philip Nel has a blog post, Nine Kinds of Pie - More Metafiction for Children, that lists all of the titles highlighted in the video AND many of the titles not mentioned but displayed behind him.  He also includes a list of graphic novels. If you read the Comments, the list goes on.

Below are the titles that I especially like.  Wikipedia has quite an extensive list, which I have drawn from, and there is some overlap with Nel.  An interesting aspect of metafiction is how personal the reader's response is. It is possible, in fact, to debate the metafictionalism of any one of these titles.

Picture books - a large list is also on Nel's site - my list includes highly recommended apps
  • The Book With No Pictures (B.J. Novak) - must be read aloud
  • Chalk (Bill Thomson)
  • It's a Book (Lane Smith)
  • A Coyote Columbus Story (Thomas King and William Kent Monkman)
  • There's a Monster at the End of This Book (Jon Stone) - also Another Monster at the End of This Book - also the iPad apps of the same name
  • Flotsam (David Wiesner) 
  • There's a Hair in My Dirt; A Worm's Story (Gary Larson) - perhaps best for the MS lovers of Far Side
  • Press Here (Herve Tullet) 
  • The Incredible Book-eating Boy (Oliver Jeffers)
  • There Are No Cats in This Book (Viviane Schwarz)
  • The Fantastic Flying Books of Morris Lessmore - app
  • The Artifacts - app - MS and up
  • Roxie's Doors - app
  • Don't Let the Pigeon Run this App - app
Fiction - MS = probably not for middle school but you can guide this - in approximate order of age-interest, but any of these is appropriate for YA level study.  I have not includes Lexiles because they are often misleading with this genre, due to the importance of narrative voice and stylistic elements. Metafiction is wonderful for attacking those persnickity POV, narrator, narrative voice standards too, so test-prep can be done at any level of reading.
  • Walter: the Story of a Rat (Barbara Wersba) - high-reading elementary
  • Down the Mysterly River (Bill Willingham) -  high-reading elementary
  • A Whole Nother Story (Dr. Cuthbert Soup)  -  high-reading elementary
  • Archy and Mehetable (Don Marquis) - high-reading elementary
  • The Name of This Book is Secret (Pseudonymous Bosch) -  high-reading elementary
  • A Series of Unfortunate Events (series by Lemony Snicket)
  • A Tale Dark and Grimm (Adam Gidwitz)
  • The Last Unicorn (Peter S. Beagle) - film also 
  • The Neverending Story (Michael Ende)
  • Inkheart Trilogy (Cornelia Funke)
  • Haroun and the Sea of Stories (Salman Rushdie)
  • The Bartimaeus Trilogy (Jonathan Stroud)
  • Fablehaven series (Brandon Mull)
  • The Amazing Maurice and His Educated Rodents (Terry Pratchett) - another of my personal favorites
  • Unwritten (Mike Carey) - graphic novel series follows Tommy Taylor through time and space, a hero of a book written by his own father...
  • Not Everything Brainless is Dead (Joshua Price) - new series of mock-horror - exclusive on the Kindle
  • The True Meaning of Smekday (Adam Rex)
  • Before I Fall (Lauren Oliver) - late middle
  • Once (Morris Gleitzman) - Holocaust
  • My Name is Mina (David Almond) 
  • Sophie's World (Jostein Gaarder) - often a GT book in MS
  • Cosmicomics (Italo Calvino) - often used as GT text in grade 8 
  • Hitchhiker's Guide to the Galaxy (Douglass Adams) - often a GT book in MS
  • "The Tunnel Under the World" (Frederick Pohl) - short story available for Kindle
  • The Plague Dogs (Richard Adams) - MS
  • House of Leaves (Mark Danielewski) - MS
  • Thursday Next Novels (series by Jasper Fforde) - MS - also his Nursery Crime series
  • A Heartbreaking Work of Staggering Genius (Dave Eggers) - MS
  • If on a Winter's Night a Traveler (Italo Calvino) - MS
  • Grendel (John Gardner) - one of my personal favorites - MS
  • Atonement (Ian McEwen) - MS
  • The Toyminator (Robert Rankin) - MS
  • In the Night Room (Peter Straub) - MS
  • Riverworld: To Your Scattered Bodies Go and The Fabulous Riverboat (Philip Jose Farmer) - MS  -  another personal favorite
  • Slaughterhouse Five (Kurt Vonnegut) - MS
  • Fables (Bill Willingham) - graphic novel/comics - wide-ranging series - MS
  • The French Lieutenant's Woman (Jonathan Fowles) - MS
  • The USA Trilogy (John DosPassos) - classic experimentation with form creates metafiction - MS
Arts tie-in (visual, film)
  • M.C. Escher
  • Found Art - there are great materials online for a student creative unit (I did it) - begin with Wikipedia, links to local museums and visits to local installations
  • Hugo
  • The Purple Rose of Cairo (Woody Allen)
  • The League of Extraordinary Gentlemen
  • The Neverending Story
  • Shrek movies
  • The Last Unicorn
  • The Matrix films - great to use and reference, if your students have a background already
  • The Truman Show
  • Hamlet & A Midsummer Night's Dream (many film productions of both)
Poetry & Drama - it can be argued that all drama and most poetry is metafictional in nature, but here are some titles that are more directly so (drama within drama, drama about life as fiction, poetry about poetry, etc.)
  • Mirror, Mirror; a Book of Reversible Verse (Marilyn Singer) - concrete metapoetry
  • Hailstones and Halibut Bones (Mary O'Neill) - poetry of color about color with color
  • Robert Frost - most of his well-known poems - I like his "Design" read with "Design" (Billy Collins)
  • "Ars Poetica" - links to poems on poetry from Poets.org
  • Ted Nellen has a personal list of Poems on Poems - I like this list for its contemporary bent and its range of poets
  • Waiting for Godot (Samuel Beckett) - MS
  • Deathtrap (Ira Levin) - MS
  • A Midsummer Night's Dream (Shakespeare) - can be read in MS (editing recommended)
  • The Skin of Our Teeth (Thornton Wilder) - MS
  • Rosencrantz and Guildenstern are Dead (Tom Stoppard) - MS
  • Hamlet (Shakespeare) - MS
Informational Text
  • Zen in the Art of Writing (Ray Bradbury)
  • On Writing: A Memoir of the Craft (Stephen King)
  • Characters & Viewpoint (Orson Scott Card) - available for Kindle
  • "Writers on Writing: Carl Hiaasen" - find more essays in this NYTimes series
  • "Why We Make Art" (short personal statements by artists in various media)
  • Augmented Planet (blog) - short pieces on augmented reality (AR) apps, shows, creative ideas - I like the angels at Victoria station - this is a growing use of technology that will appeal to kids in a metafictional way
Activities - If you have to ask, you don't understand the genre.  But students might: imitate & update, create, self-question

Friday, January 6, 2012

Zombies + Literacy

Essential Questions:
  • Why are zombies compelling?
  • Can ELA teachers afford to ignore a national trend?

Zombies Vs. Literacy?  Yes, the app exists - an early reading iPhone app for kids as young as 1 year.  Read about it at the App Store. I bought it - not very good, but a sound introduction to the alphabet (letters and sounds), phonic blends (and therefore rhyme), and sight words.  My 2-year old Millie loves it. BabyBinks is a developer that I have recommended, by the way.  What do they know that I am just discovering?  Zombies are trending!

Just for fun, search Amazon Children's Books for "zombies" and sort by date.  There are 368 hits, about 2/3 of them dated after 2010.  In the Books search, there are over 9,000 hits and 2011 does not appear until p.9. 

The Update [11/23/13] - Read about Zombie [tech] Ideas at Hack Education and learn about Zombie Politics with Bill Moyers.


[4/17/14 - still trending] - The Pentagon has released a zombie apocalypse defense plan. Read about it at CNN and follow a link to actual plan.  Tongue in cheek, certainly, but definitely piggy-backing on a trend.

The Rationale: Zombies have even invaded PowerPoint. Above is a screenshot from a post by Bill Ferriter - The Tempered Radical - Five Tips for Creating Powerpoint Slides...   I like his ideas, and I follow this blog.  But I was temporarily stunned by the argument made for the power of the zombie image, which to me is repulsive:
  • "Let's be honest: Audiences in today's hyper-connected, always on world have seriously fractured attention spans, y'all."
The zombie image is a grabber. Whether visually presented or stereotypically drawn in words (bleeding, blood-thirsty, brain-eating, sexless, distorted, cannibalistic, dulled to intelligent thought), it is nightmarish but mesmerizing.

So we have preK at one end of the zombie spectrum and adults (teachers) at the other.  It seems that we like to like zombiesWe like the idea of confronting the living dead. 

It turns out that this may be scientifically accurate.  Read Christina Robertson's  Why Do We Like to be 'Scared to Death' and Science Daily's Why Do People Like Horror Movies? for intelligent, if short (good for the classroom), discussions of the questions.

On the other hand, I am distressed by this summative statement from Robertson's post: "There are many ways we may choose “non-being” in our lives – by not being aware of what we think and what we are choosing, by making inauthentic decisions, by not determining our values, by following the values of others, the list is endless.  Actions leading to non-being lack authenticity and responsibility."  Psychologically, non-being is an attractive choice.  This sounds very much like the YA worldview.  One way that teachers can confront distress is to teach it - then the students help with the therapy.  We do, after all, read about a lot of distressing topics: bullying, dysfunctional families, the end of life as we know it, abuse, self-abuse, gangs, desertion, war, murder - to name a few.  Why not zombies?

So my question is this: Why are zombies an appealing choice?  Is it:
  1. because students can brainlessly interact with them (read about them, play with them, view them, laugh at them) while still feeling alive (afraid, powerful, superior, surprised, funny),  or
  2. because students instinctively identify with the concept of "non-being" and its correlatives: freedom to behave outside of the accepted moral code, and to do so without the hindrance of conscience or fear of death or physical pain, or
  3. because we can not help but grapple with the questions: What does it mean to be HUMAN? or
  4. because zombies are ugly, gawky, socially awkward, easily targeted, and - basically - victims?
  5. because zombies reflect cultural fears, appearing during those historical periods that we feel most out of control and fearful, or
  6. because of something else that students themselves can explain and define?
#2 - #6 are interesting answers for the classroom, raising zombie literacy into the realm of honest study.  Conveniently, #1 is also true, making that study attractive to kids.  So I think they deserve a PBL unit, or at least a lit circle, of their own.

The Resources: What materials are available to the literacy teacher using zombies to frame a unit?   I am assuming that this study would begin in the late middle grades, although that may be a false assumption, given the growing number of apps and visual texts with zombie content.  I personally would set the bar at 8th grade, but you have to know your class.

Fiction
  • The Forest of Hands and Teeth (Ryan - ) - I did not read the remaining books in the series, having found this book very uneven, but many YA girls love it - interesting
  • The Undead: Zombie Anthology (stories, ed. by Snell) - many of the contemporary zombie novelists are represented - great for comparative study (plots, themes, symbols, characterization)
  • Zombies! Zombies! Zombies! (stories ed. Penzler) - a collection of classic stories, some of which are the backbone of the genre
  • Book of the Dead (stories ed. Skipp) - also a Book of the Dead 2 - recommended as the best 20th century collections
  • Zombie Mommy (M.T. Anderson) - Pals in Peril series - for the 3rd - 5th crowd, by the award winning author of Feed, Octavian Nothing and other great books
  • Not Everything Brainless is Dead (Joshua Price) - 1st book in new series, exclusively for Kindle - MS will like it best
  • Day by Day Armageddon (Bourne) - journal format, making a neat twin for Brooks' World War Z and I Am Legend (film)
  • World War Z: An Oral History of the Zombie Wars (Brooks) - chillingly matter-of-fact narration with a hint of 19th century voice - an upcoming classic in the genre
  • The Terminal Experiment (Sawyer) - Nebula winning SF deals with electronic zombies
  • Boneshaker (Priest) - steampunk meets zombies
  • Never Slow Dance with a Zombie (Van Lowe) - chicklit meets zombies
  • You Are So Undead to Me (Jay) - young YA, easier - cheerleader zombie slayer
  • Night of the Living Dead (Andrews) - novelization of the classic film
  • I Am Legend (Matheson) - re-release of 1954 novel set in 1976 - also film and graphic novel - also a Kindle ebook summary and study guide
  • The Jumbee (Keyes) - zombie theme add suspense to this young-girl-falls-for-mysterious-guy-on-tropical-island tale
  • Cell (King) - nice for today's kids
  • Eaters of the Dead (Crichton) - classic - he does not specify zombies, but it is close - this is a great read
Children's Books - many of the newer titles use the zombie theme to "spoof" classic titles - some of these will be warm reminders of childhood - these provide great ideas for student authentic projects
  • Pat the Zombie, a Cruel Adult Spoof (Ximm) - don't go here as a parent or kid, but as a teacher I would show the book to grades 7+
  • That's Not Your Mommy Anymore: a Zombie Tale (Mogk) - may be the hottest new title
  • Zachary Zombie and the Lost Boy, a Story for Demented Children (John H. Carroll) - free for Kindle and part of a series currently numbering 7 - clever!
  • Diary of a Zombie Kid GN (Perry) - yes, it's illustrated
  • Goosebumps Hall of Horrors #4 - Why I Quit Zombie School (R.L. Stine) 
  • Zombie Tag (Moskowitz)
  • Zombie in Love (DiPucchio) - picture book, early reader
  • Ten Little Zombies - a Love Story (Rash) - you know the rhyme - zombified
  • Z is for Zombie (Kutner) - not your everyday alphabet book
  • Baby Bubba Wants a New Mommy (Crenshaw and Ballard) - read this one online
  • Nobody Wants to Play With Zombie Jesus (Preble) - Kindle eBook for $.99 - yes, it is offensive
 

Graphic Novels and Comics - The visual art in these can be compared to the impact of word descriptions in the above - find any humor here?  why not? 
  • The Walking Dead (Kirkman), Dead Rising - for the shoot-em game players - series - sold (read online or  download for iPad) at ComiXology - not for MS
  • Shaun of the Dead (IDW Publishing) - comic book - 4 issues
  • Night of the Living Dead TP (Russo) - prequel to the film! new characters and plot additions - there is also a Vol. 2, which introduces some contemporary plot elements
  • Richard Matheson's I am Legend (graphic novel) (Niles) - from the novel and film
  • The Zombie Survival Guide: Recorded Attacks (Brooks) - pair with World War Z - premise is that throughout history the zombies have been active
  • Zombies (Cole et.al) - gathering of great zombie comics - 2012 release
  • Remains - zombie attack comic/graphic novel - sold (read online or download for iPad) at ComiXology
  • They Do Not Die! (Brown) - undead at 18 in rural Alabama - girl teen protagonist
  • Infestation series (IDW) - zombie events affect the worlds of comic classics Ghostbusters, GI Joe, Star Trek, and others in this cross-over digital comic series sold (read online or download for iPad) at ComiXology
  • Many more titles can be found by searching ComiXology for "zombies"
Poetry
  • Little Book of Zombie Poems (Beckett) - download .pdf file - these will appeal to struggling poets
  • Aim for the Head: An Anthology of Zombie Poetry (ed. Peterson)
  • Magnetic Poetry Kit: Zombie (Amazon) - how cool is that for the creative classroom!
  • Zombie Haiku: Good Poetry for Your...Brains (Mecum) - real cheap used from Amazon - these will appeal to YA, but also are quite imagistic: 
Biting into heads
is much harder than it looks.
The skull is feisty.
Drama & Scripts- not recommending these for quality, but I have skimmed them all - offered as models and for reading in class, but students can also comment on the scripts at Simply Scripts

Film, TV, media - also check out wikipedia's list of Zombie films
  • Night of the Living Dead (Romero, 1968 - DVD) - classic film that kicked off my own study - my middle schooler's just barely made it through this one
  • Carnival of Souls - see a trailer here
  • The Living Skeleton
  • Abraham Lincoln vs. Zombies (2012 NR, Netflix) - how can your resist?
  • Shaun of the Dead (DVD) - Rated R - but out-cuts would be excellent
  • I am Legend (2007 - PG 13 - DVD) - based on I am Legend novel - zombies are more like vampires here
  • Omega Man (1971 - PG - 1971) - based on I am Legend novel - quasi-zombie-vampires here
  • The Last Man on Earth (1964 - DVD) - based on I am Legend novel - unrated
  • The Walking Dead (TV series on DVD)
  • The Returned (French with subtitles, Sundance Channel TV, 8-part series) - Netflix
  • Children Shouldn't Play with Dead Things (Ormsby, 1972 - DVD - PG) - somewhat humorous
  • The Ghost Breakers (1940 - DVD) - Bob Hope comedy!  or Scared Stiff (1953) - Martin & Lewis remake
  • Michael Jackson's Thriller (YouTube)
  • We're Alive - the Zombie Podcast - best downloaded - episodes listed here - reviewed here
  • Super 8 (2011 - DVD) - kids set out to make a zombie film, but run into something else entirely

Creative non-Fiction - Informational text - Humor

Social Networking - Collaboration
  • Lost Zombies - building a collective library of images and stories - student project? - you decide 
  • Zombie Research Society - you decide - check out the blog
  • Z-Composition - students can submit poetry, art, flash fiction and other fiction to this new e-zine
  • Zombie Nation - another place for submissions: haiku, short video, comics, more - great ideas for projects
  • Kill the Zombies - submit reviews and comments after playing
  • Simply Scripts - students can read zombie screen play scripts, comment on them, and submit their own

Simulation/Games/Apps - as of Thanksgiving (a fitting time for this search) there are 2199 apps found in an iStore search for "zombie" and my own 6 year-old grandson will only play Plants vs. Zombies on the iPad, which is his first game app ever
  • Operation: Eradicate - ($1.99 app) - tactical game for the serious gamer in which assault teams work together and independently to stop - you got it - the zombie invasion
  • Zombie Virus Survival (free app) - avoid the incoming green virus
  • The Running Dead - free app - PacMan in zombieland?
  • Zombie Life - free app in the Sims tradition (problem-solving), but to advance you need to purchase gems and gold ($.99 and up) - "fantasy violence" but also problem-solving
  • Zombie Lane - free app and also a web app - competitive social game-play, so this has a creative-thinking element - to advance you need to purchase cash ($.99 and up) - "fantasy violence"
  • Zombies vs Ninja - free app - player takes on role of ninja killing zombies, so this is a point of view exercise too - to advance you need to purchase weapons ($.99 and up) - "fantasy violence"
  • Zombie Wonderland and Zombie Wonderland 2 - inventive fun destroying and mopping up zombies - app
  • Farm Destroy: Alien Zombie Attack - free strategy 3D game app - destroy a farm full of zombie animals - no in-app purchases necessary
  • My Pet Zombie - free app - like NeoPets, these zombies can be dressed, designed, fed, etc. - for the elementary school crowd (no reading necessary) - lots of cool stuff to buy for them 
  • Resident Evil - game series features zombies - also turned into an easily read novel series, by the way (Perry)
  • Kill the Zombies - on-line game play - many options
  • The Endless Zombie Rampage - social gaming - "enjoy the carnage"
  • Play Zombie Games - I like the very simple Bounzy game, which uses simply physics to eliminate zombies - the Angry Birds of zombies
Activities - Aside from those suggested by the games, apps, children's books, and media above, you might involve students in: 
  • A Zombie 5K fund-raising run - Not kidding! - to support a health-related cause - read about the real runs
  • A comparative read of a different apocalypse novel (or film viewing) - there are tons: vampires, ice age, comet crashes, moon going off course, alien invasion, plague, unknown mysterious events causing the death of all adults, pollution, war - easy to find a read for every student
  • a spoof - a spoof of a spoof is always good fun
So there you are - Zombies + Literacy = Engagement.  It's a no-brainer : ).