Saturday, March 3, 2012

Reading on the iPad: 6 Elements of Instruction APP'd


The March 2012 issue of Educational Leadership (Reading: The Core Skill) contains an article that all ELA and literacy teachers must read:  "Every Child, Every Day" by Richard L. Allington and Rachael E. Gabriel.   I don't know how long and to whom the article will be available, so I will capture the key points here.  What you need to read the article for, in addition to these key points, are the concise summaries of the research and literature about effective reading instruction.  It is a mini-guide to what should be happening in schools.

What I am going to do is to apply the six elements of instruction identified by Allington and Gabriel to reading with - or on - the iPad.  Whether today's teachers have one iPad for individual instruction, a 1:1 program, or something in between, it is important for them to understand the power of using this tool to support reading in the classroom.  (It is equally powerful, perhaps even more powerful, as a tool to support reading outside of the classroom).

First and foremost, Allington and Gabriel are talking k-12 and they are talking about what Allington elsewhere calls thoughtful reading across the curriculum.  The iPad is, of course, an across the curriculum tool, but it is also a powerful thinking tool.

Second, all of what is discussed here applies to both fiction and informational text (and in many cases to visual and auditory text).  Last, it is important to keep in mind Allington's response to the question, What is Reading?  In the linked-to interview he makes the point that when one is reading, there is a response: goosebumps, giggles, sorrow, anger, wonder...   These responses = media + motion.  We are in iPad country.

To best use the iPad for reading instruction, you will want, as a teacher, to have access to at least one measure of student reading level (F&P, lexile range, grade level equivalent). It is possible to find book lists (online and in print) to match any range. Just ask your librarian or literacy specialist. If this is what you rely upon, go that route and set up your iPads accordingly.

You can, for example, make folders on the Home screen of interactive texts for different ranges, for individual students, or you can make a Home icon link (easy to do on the iPad - see the screen shot) to a website on which are listed available or suggested titles.  Using Box or DropBox (slightly more complex), you can create web-based folders of texts differentiated for specific students, reading levels, reading interests, or reading groups.  These can be accessed directly from the iPad app.  This can be done by multiple teachers, all accessing the same folder (how cool would that be!). 

And you can, of course, load onto the iPad individually purchased titles, e-Books (Overdrive Media Console has an app - if your public or school library has the e-Book service, your students can "borrow" books right from the iPad). 

The 6 Elements of Instruction applied to the iPad:

1. Every child reads something he or she chooses - not all of the time or every time, but at some time during the school day. How many texts can the iPad hold?  It's infinite, if you consider the web as a text and the possibilities of borrowed e-Books and e-Texts.  Definitely thousands.  The iPad is an e-Reader.  It is an interactive e-Reader.  It can read to you.  You can read to it.  The iPad remembers your place (a good thing if multiple students are reading different titles, which is the goal) and remembers your annotations and bookmarks.  Wondering about this approach to reading?  Read this perspective.

Here are the best apps for digital reading choice:
  • Kindle books are one choice.  Set up an Amazon account (password protected and do not save credit card information) and register as many iPads as you want.  Download purchased books from Amazon's Accounts interface or through a desktop/laptop.  Kindle books are often less expensive than print counterparts. Free and inexpensive classic texts, and daily $.99 specials, are also available. Books obtained via Amazon appear in the Kindle app Home menu, making them easy to access. 
  • iBooks (public domain titles, including many fairy tales and illustrated classics) is another way to store and access books.  Because it reads the ePub and .pdf formats, teachers can even upload texts that they create themselves. 
  • Individual interactive book apps such as The Artifacts and numerous titles for elementary students can be purchased via the iTunes store/ iPad App Store (Books and Education are key categories, or you can search). Teachers need to create the account and keep the password secret from students. If the first download onto an iPad is a free app, a credit card does not have to be attached to the account.  Create folders on the Home screen to hold books in categories that work for you: subjects, grade level, individual students (each app can go into only one folder).
  • Comics and graphic novels (Comics app) - purchase titles online at ComiXology and download them to this iPad app - best for middle and high school. Purchase requires an online account.
  • MegaReader 2.5 indexes and downloads free texts from sources such as Gutenberg and Feedbooks.  Young Reader is for elementary and middle school readers - it comes preloaded with over 130 public domain classics so texts can be read without wifi access.  Although a main purpose of Young Reader is to increase reading speed, it is also just a simple source of good texts at a wide range of levels.  Caution: some students will be frustrated by the bizarre characters that appear due to format conversions, so check out any titles you install.
  • OverDrive Media Console will connect students having library cards to public or school libraries with a e-Book loan service.
  • Newsstand - purchase some magazine subscriptions for your students.
  • Timbuktu - an app that aggregates a different upper elementary magazine (from multiple multi-media sources) weekly.  This is a multifaceted, multimedia reading experience.
  • Zite - an app that aggregates current articles by topic - great for middle and high school students who have very specific interests.
  • The Google App contains a News application.  Combined with Readability (see below), it supports choice as well as good options. 
  • The web - you can make a Home screen link to your own pre-selected web sites (see above) or to digital, web-based texts (you can even make your own web-page full of text... )  Science, history, sports...  Students can have individualized choice links on individualized pages or can download .pdf files created by the teacher (see #2 and #3 below for readers).
  • And don't neglect content specific apps that contain reading text!  Many science and social studies/history apps contain informational text.  Placing them into Home screen folders is a good idea.
Readability
2.  Every child reads accurately.  We have to infer what reading accurately means (those of us not deeply versed in Allington), but it is clear that, where meaning is the message,  "just right" texts must be available in sufficient variety and number that choice can be right for every child in school, in every content area, during the school day.  But Allington and Gabriel note, "Sadly, struggling readers typically encounter a steady diet of too-challenging texts throughout the school day as they make their way through classes that present grade-level material hour after hour. In essence, traditional instructional practices widen the gap between readers."   Even in the best of school situations, all day is probably not possible, and, unfortunately, the Lexile.com tool for measuring the difficulty of an input-text selection is not available as a mobile app (it should be), so judging text appropriateness on the fly is not possible. Additionally, in subject-specific classes, teachers are probably not aware of student reading levels.  The best many teachers can do is to prepare an appropriate range of text selections and make them available in Box or DropBox for students to access.

On the other hand, there are iPad tools to help students accurately read "just wrong" text.  They also support understanding of texts that are a good fit.
  • Kindle books have an on-board dictionary - place the cursor before a word and initiate an instant "lookup."  iBooks also has a dictionary - press on a word and define is an option.  Both tools also enable web search, highlighting, annotations attached to text, searching by word (character or place names, for example), and bookmarking.  iBooks is a little friendlier for kids.
  • Readability is an app (as well as a web-based widget) that "cleans up" web text (it works best with article text - does not work with all text) so that distractions are removed. Search for articles in Readability's own browser (which makes the process much simplier) or access the tool through Safari (as is done on a non-mobile platform).  Articles can be saved for viewing offline and can be quickly shared (via email, most likely, but HS students can also instantly Tweet articles), which increases motivation to read accurately. You might want the ad-free version for a small charge.  Pressing on a word in Readability gives the reader the option to define a word (also true in the Safari browser when running the Readability bookmark widget). Text can be formatted in various ways as well.  Readability is a bit difficult to install and configure, and it requires an account, so you will want to do the setup yourself.  
  • Safari Reader will appear as a choice on a web page that is recognized as journal-type text. Clicking on it has the same effect as Readability.  This is great for newspapers, online magazines, etc.  but it does not work on blog text. 
  • GoodReader is an annotation reader for .pdf files.  Using email, Dropbox or other apps, load .pdf  files onto the student's iPad.  The ability to annotate (lines, text, colors) while reading denser text will help with accurate reading.  You can also direct reading by including focus and pre-reading questions at the top of the text, by chunking text, and adding vocabulary definitions, etc.  This is especially useful for informational text.   
  • Notability is another good .pdf reader that annotates.  It has the advantage of combining with Joliprint so that .pdf files created from Safari accessed web pages can be opened immediately on the iPad.
  • Speak Selection in the iPad Accessibility Settings can be turned on to enable a student reader to hear a word or a text selection spoken by a machine voice (Siri - set the voice to be quite slow!).  This is a pop-up option, along with define and copy (one word - selection).  VoiceOver can also be turned on, which means that ALL text will be spoken. This is useful if you are working with a student in an iBook or a web-reading assignment, but also very frustrating.  Not really recommended.
  • Web Reader HD ($4.99) will speak just about any text, including web pages opened in its own browser and files opened from Dropbox.  This latter can be huge for differentiated reading.
  • Speak It! - Text to Speech ($1.99) will speak text that is entered (copy-pasted any text), highlighting words as they are read. The app is used often as an assistive device, but it is also good for fluency, accuracy, and understanding of text read. Another advantage is a choice of voices.
  • Voice Memos for iPad - Since this app multi-tasks, a student can record himself/herself reading, but also record comments about reading while reading. Share via email, or simply pass the iPad around a reading group.
  • Dragon Dictation can be used for fluency improvement as well, although this is not its primary purpose.
3. Every child reads something he or she understands.  The point here is that what a student reads, especially during reading intervention, must be within a context that he understands - not out-of-context text - and the text must be rich enough so that there is something to understand.  One way in which the iPad can support understanding is by providing rich media support for the context of the reading. Below are just a few ways in which this can be quickly done using the multi-tasking capabilities of the iPad (double-tap on the Home button and scroll through open apps).  All of the tools above also support reading for understanding, thoughtful reading, as do the apps in #4 and #5 below.  Thus the iPad itself provides a stimulus for reading to understand.
  • Google app - use the Voice Search capability for pre-reading and during-reading engagement - look for the icon at the bottom of the launch window
  • Google Earth app - look up places, settings, etc.
  • Qwiki - multi-media, narrated videos on many topics, including some best-selling student novels
  • (see text-to-speech apps above)
  • Teachers can record their own reading of texts using any one of a wide range of tools.  Students can record their thoughts and understandings in short audio files. Here are a few very good tools:
    • AudioBoo
    • VoiceThread (central to which is a comment feature, written, oral, uploaded sound file)
    • DropVox (record directly to a DropBox folder in a designated account - from here, files can be "back-shared")
    • TinyVox - quickly record with the option to redo - uploads (and archives on iPad) to a unique URL that can be shared.  Use this to generate questions and well as understandings. 
Book Creator
4. Every child writes about something personally meaningful.  How can a teacher quickly understand if a student is reading "right fit" text?  Ask the student what his response is, ask that it be spoken, written, drawn - and make time for reading responses to be shared. The rationale for this is in the article.  There is no substitute for an alert teacher who is an active listener and observer - but the iPad can help.
  • Just writing:  Pages is the tool of choice, even though it is not free.  Students keeping lengthy documents over the course of a year can export them as ePub files, readable in iBooks.  For that alone Pages is worth it.
  • Audio-journaling:  see the tools listed above for voice recording.
  • Drawing:  Some students will "write" best by drawing in place of - or in addition to - writing text.  This drawing is often accompanied in elementary school with a voice narration. Again, the iPad has numerous tools for this.  These tools are often called screencasting apps when used by adults.
    • ShowMe - the most basic app for drawing and adding a voice record
    • ReplayNote4Kid and ScreenChomp are a bit more complex, but easily used in elementary school
    • Educreations is a bit more complex, for middle and high school.
    • Keynote is terrific for longer responses, as to an entire novel or unit of study. 
    • BookCreator is an alternative to Pages for in-depth ePub documents or for gathering writing done over time.  With the inclusion of audio, it can be a digital portfolio of reading growth.
  • Journaling: In the old days, ELA teachers called this journaling or free-writing post-reading.  Tools for this abound on the iPad.  A few: 
    • MyMemoir - this app appears on very few lists, but I find it to be the most convenient for journaling
    • Notes - minimally featured note-taking tool is just plain easy to use
    • Noteability - for upper-middle and HS student readers, this richly featured app is wonderful
    • Noteshelf - an alternative to Noteability ($5.99) recommended for situations in which many students use the same iPad because individual note journals can easily be created (video)
    • Evernote - attached to an online account, this has a journal-type interface - audio, photos, can be tagged by author, text, etc.  
    • Dragon Dictation is a great tool for those students who can not, or will not, keyboard
  • Brainstorming or Mind-mapping:  Sentences are important, but understanding and interest are often captured in abbreviated form as well.  Mindo is my app of choice.
  • Organizers can be contrived, but for many struggling thinkers they provide a concrete structure.  Tools4Students is an app for that.  It contains a fairly large selection of organizers to scaffold responses to reading.
  • Annotating:  Textual notes are essential as a during-reading response.  For print text, post-its and pencils do the trick.  The problem is that the notes get lost, are difficult to organize, and are generally difficult to use in open discussion.  The iPad makes it possible for students to easily annotate digital text in a variety of ways (depending on the tool).  A few good tools:
    • Skitch - draw, add text boxes to text images - For example, take a picture of a page of text, a document, a magazine article after reading - annotate!  Shares directly to Evernote
    • GoodReader - many tools for annotating .pdf files
    • iBook - annotate ePub texts
    • Webnotes - the perfect tool to use for recording understanding and responses while reading web text.  Does not work with Readability or Safari Reader text, however, as it uses its own browser.  Text can be copy-pasted into the side-by-side Notes pane, encouraging students to take steps toward analysis.
Blog Docs
5. Every child talks with peers about reading and writing.  I am sure that Allington is thinking about f2f conversations, but digital conversations are now as possible, and often as frequent, as f2f. They have the advantages of being asynchronous and accessible (to the talker and the listener/commenter) 24/7.  Moreover, in using the iPad for these conversations, students are developing key 21st Century skills.
  • Voice recording
    • Voice Memos for iPad - since this app multi-tasks, a student can record himself/herself reading, but also record comments about reading while reading - share via email, or simply pass the iPad around a reading group
    • Audio Memos (paid version is more versatile) is a similar app, but it allows for stop-start recording
    • SoundCloud - record up to 120 minutes of audio (no editing) - share with a unique URL - best with 1 acct. / iPad (not great for shared iPads)
  • Blogging - Teachers should have RSS feeds to these spaces, but so should other students.  At the elementary and middle level (students below 12), teachers should create accounts and complete the iPad setup, which makes posting a snap.  Blogging can be done individually or by a group (thematic, subject, title).  Remember that the comment feature on a blog is an  essential part of the conversation.
    •  Students with existing Google accounts (often provided by the school for blogging and mail) can use the Google Blogger application to blog their thoughts. 
    • Posterous is an easy way for students to upload short posts to an existing blog - most platforms work, and many blogs can be accessed (probably too hard for elementary school)
    • Blogsy is another simplified blogging tool.  Like Posterous, pictures and videos can be added.
    • Blog Docs - A sophisticated blogging platform from Google best for adept iPad users.  It has the enormous advantage of sophisicated features, including handwriting/annotation, tables, lists, highlighting...   Best used with an existing Wordpress or Blogger account (can be a Google Blogger account).
  • Collaborative Spaces for virtual conversations
    • VoiceThread
    • DropVox - record directly into a student blog space
    • Google Docs, also accessed through the Google app, is a sharing space perfect for upper middle and high school students.  It works best if accounts are created by the school, including email, so that the full range of Google Applications can be accessed and quickly shared by all students and faculty (one contact list).
    • Use zapd to create a theme, lit circle, or subject specific, or other web site that many students can access. (This is an iPhone app that works in iPad as well.)
Open Culture
6. Every child listens to a fluent adult read aloud.  Allington prefers a f2f read-aloud, and this is often possible. On the other hand, it becomes less and less desirable both time-wise and culture-wise as students scaffold up grade-wise.  I know many teachers disagree with me, but I believe that the middle school read-aloud experience after grade 6 is overrated as an element of reading instruction (also true for HS).  The iPad can provide students with other ways to listen to fluent reading.
  • Any one of the audio recording apps above can be used by teachers to pre-record fluent readings of short or longer texts.  These can, of course, be used over and over again, and shared via web-page, blog post, DropBox or Box.
  • AudioBooks provides access to a huge library of texts that can be listened to with or without texts.
  • Audible.com sells quality audio recordings that can be downloaded to a Kindle acct. or directly to the iPad as audio files.  
  • OverDrive Media Console will connect students with library cards to public or school libraries with a e-Book loan service.  This includes audio books.
  • And why just reading?  The TED talks are fluent adult voices, as are the many interviews available through Open Culture.  
  • Open Culture also links to hundreds of high quality audio books.
All-in-all, I think this is a pretty powerful argument for 1:1 iPad programs.

Sunday, February 19, 2012

Suspense: Hitchcock for Readers, Writers, Creators

source
At about time-mark 11:23,  this short interview with Alfred Hitchcock, "A Talk with Alfred Hitchcock," gives you clues to the director's greatest suspense scenes.  He discusses three techniques:
  • montage - juxtaposition of images of various "sizes"  - little shots grouped impressionistically to create a cumulative effect (e.g. focus on body parts, focus on objects in a room, focus on one specific action) - illustrated with Psycho shower scene, but I also think of the gathering crows in The Birds (safer to show to students)
  • orchestration - audience has partial knowledge of what to expect but does not know when or where it will happen - partial elements of the narrative are arranged sequentially to create shock - this is shifting point of view that film can make literal (illustrated with Psycho stairway murder, which uses multiple shot perspectives and angles)
  • pure cinematics - the assembly of film elements (specifically shots) and how they can be changed to create a different idea in manipulation of the viewer's response (illustrated by two sequences featuring Hitchcock himself)
What is the Literacy/ELA Parallel?  As we strive to give students a language for creative analysis,  we can peak their curiosity by applying the vocabulary and skills of the masters.  So here is a quick think about Hitchcock's terms above as applied to YA suspense lit:
Montage - In good suspense, language and images create an impressionistic scene as well.  This is often in a flight scene, a scene of approaching evil, or a climactic moment.  Some specific techniques to look for are repetition (incremental), strings of repeated descriptors (overwriting, often), phrases where sentences often do, polysyndenton (images and phrases strung together with a repeated conjunction), asyndenton (images and phrases strung together without conjunctions),  and terse dialogue without benefit of dialogue tags.  The overall effect is to heighten threat and chill.  Here is an example of montage used by Poe in "The Black Cat":

No sooner had the reverberation of my blows sunk into silence, than I was answered by a voice from within the tomb! -- by a cry, at first muffled and broken, like the sobbing of a child, and then quickly swelling into one long, loud, and continuous scream, utterly anomalous and inhuman -- a howl -- a wailing shriek, half of horror and half of triumph, such as might have arisen only out of hell, conjointly from the throats of the dammed in their agony and of the demons that exult in the damnation.

Orchestration - In part, this is the equivalent of foreshadowing in fiction.  The slow build of the expectation of an event is the result of knowledge introduced gradually, previous to an event.  The reader has a fully developed certainty - a sense of what I like to call vague dread - the is climaxed by the event itself.  Poe uses this technique brilliantly, staging his scenes with a terrific sense of pace and literary eye.  Here are three parts of this orchestration from "Three Skeleton Key":

No, these were ships’ rats, huge, wise creatures, born on the sea, sailing all over the world on ships, transferring to other, larger ships as they multiply. There is as much difference between the rats of the land and these maritime rats as between a fishing smack and an armored cruiser.
The rats of the sea were fierce, bold animals. Large, strong and intelligent, clannish and sea-wise, able to put the best of mariners of shame with their knowledge of the sea, their uncanny ability to foretell the weather.
And they are brave, the rats, and vengeful. If you so much as harm one, his sharp cry will bring hordes of his fellows to swarm over you, tear you, and not cease until your flesh has been stripped from your bones.
The ones on this ship, the rats of Holland, are the worst, superior to other rats of the sea as their brethren are to the land rats. ....  [and later]
Over her bridge, on her deck, in the rigging, on every visible spot, the ship was a writhing mass – a starving army coming toward us on a vessel gone mad!
Our island was a small spot in that immense stretch of sea. The ship could have grazed us, passed to port or starboard with its ravening cargo – but no, she came for us at full speed, as if she were leading the regatta at a race, and impaled herself on a sharp point of rock.
 ....  [and later]
Thousands of heads rose, felt the wind and we were scented, seen! To them, we were fresh meat, after possible weeks of starving. There came a scream, composed of innumerable screams, sharper than the howl of a saw attacking a bar of iron, and in the one motion, every rat leaped to attack the tower!

For the reader, the ending seems inevitable - it is just a matter of time.  On the other hand, the narrator seems to have survived to tell the story; so dreadful as his tale is, there is an escape.  The urgency of the prose, the frenetic sentencing, are the contributions of the writer's montageThe gradual introduction of knowledge is his orchestration.  The setting is his cimematics.

Cinematics - In a novel or story, the author uses point of view, narration (word choice, sentence pace and length), and dialogue to create the equivalent of a cinematic effect.  By zooming in and zooming out, by panning, by alternating pace and voices, the author can control the build of suspense.  Here is a short example from "Three Skeleton Key":

There was nothing we could do but watch. A ship sailing with all sail spread, creaming the sea with her forefoot as she runs before the wind, is one of the most beautiful sights in the world – but this time I could feel the tears stinging in my eyes as I saw this fine ship headed for her doom.
All this time our glasses were riveted on her and we suddenly cried out together:
“The rats!”

Would the last sentence be as powerful if it were: "The fuzzy caterpillars!"  I think that difference encapsulates much of the concept of cinematicsAuthors make multiple decisions simply to generate effect. Choice of setting (all aspects), character types, borrowed plot lines...  These all come into play when the purpose is to directly affect the reader's response. 
Literary analysis can be fun when this is the lens.

Beginnings:  It is always valuable to cement literary concepts by having students (any age) employ them in analysis of very simple works, and great picture books are best for this. These books send chills down the spine of even adult readers.  Ask: How are montage, orchestration, and cinematics important in this simple book?  How is the monster defeated? Making short screencast analyses on iPhones or iPads is a great activity for this. Students may notice repetition as important to building suspense. This is a form of verbal montage and cinematics. Some suggestions: 
  • Another Monster at the End of This Book - Stone (also and iPad app)
  • The Barenstain Bears and the Spooky Old Tree - (Barenstains) 
  • Chalk - Thomson
  • The Monster at the End of This Book - Stone (also and iPad app)
  • There's a Monster Under My Bed - Howe
  • There's a Nightmare in My Closet - Mayer
  • Woolves in the Walls - Gaiman
  • Woolvs in the Sitee - Wild and Spudvilas
  • read-aloud:  Grimm's and Anderson "Blackbeard," "Three Little Pigs," and "Three Billy Goats" and "Red Riding Hood"
Film:  One of the few times I recommend viewing before reading is to cement the concepts in this genre:
  • If students are not getting the analysis concepts, I strongly recommend, strange as it seems, Bambi, Land Before Time, Sleeping Beauty (beginning), Walking With Dinosaurs (BBC Video), and the other nature series that make kids cringe
  • Open Culture links to 22 Free Hitchcock Films to find online
  • It's hard to top classics like Jaws, It, Snakes on a Plane (R)the Bourne movies, Witness, 2001, Aliens - most teachers and students will have titles to share.  Several scenes illustrating the concepts above should be shown.
Novels & Stories:  Most of these are not appropriate below grade 8, so teachers need to read them first. Remember to also ask your students for suggestions.  Many of today's big tween and YA genres are suspenseful in nature, but many of them do not do it very well.  Most zombie and alien novels are suspenseful as well.  This is a great chance for students to use analysis and evaluation skills, so pick the best.  Your students do NOT have read the entire book - remember, you are reading for author's techniques with proof from the text (quotes).   Ask: What techniques have change as characters, plots, narratives get more complex in novels and stories?  What is added by these changes?  What techniques are most effective?  Why?  What other elements (characters, setting, plot, etc) are necessary to create memorable suspense?
  • Fakie - Tony Varrato
  • Found (1st in new series) - Margaret Peterson Haddix
  • Jasper Jones - Criag Silvey
  • The Lovely Bones - Alice Sebold
  • Miss Peregrin's Home for Peculiar Children - Ransom Riggs
  • The Shattering - Karen Healey
  • Skeleton Man - Bruchac - a very good suspense novel for 5-7 grades
  • Tantalize series - Cynthia Leitich Smith
  • The Vanishing Game - Kate Kae Meyers 
  • Stephen King: just about any one of his horror genre
  • "The Most Dangerous Game" - Connell - read online or download audio
  • "The Black Cat" or "The Tell-Tale Heart" - Poe - widely available online in text and audio
  • "Three Skeleton Key" - Toudouze - download .pdf or read online - also free in radio drama version (quite good)
  • "The Landlady" - Dahl (good audio version also available from Audible.com) - in The Best of Roald Dahl 
  • "Night Drive" - Jenkins (aka Murray Leinster) - also available here in audio (the story actually begins about 1/3 of the way into the .mp3 file)
  • "The Lottery" - Jackson - read it online
Follow-up:
  • A later segment in the Hitchcock interview talks about what music adds to a suspenseful scene (again Psycho).  I have never played music while students read a suspenseful story, but it would be an interesting exercise to have them, after reading through a suspenseful piece, read it themselves with music they selected or (better yet) composed in the background.
  • Students love to use available technologies to create their own suspense shorts.  I think it is important to set a gruesomeness limit so that the focus is on the techniques, not the blood.
  • Ask:  What is the next step in building 21st Century suspense?  Visuals, music, and text have been widely explored. What other technologies or mixes will be used in the future? 

Monday, February 13, 2012

Identifying the Successful Online Student

A year ago, I completed (for a graduate program) an intensive review of the literature related to the characteristics of the successful online student, 3-12.  As a result of my research, I created questionnaire instruments that can be used to identify those students who should be successful in an online course and those who will probably not be successful, grades 3-8 and 9-12. 

I withdrew from the certification program (Arizona State University), so my instrument has never been tested.  I offer it to any school or district wanting to pilot it, with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 United States License.
Creative Commons License


In short, I found that a student is likely to be successful online in either an independent or a blended setting if (in order of importance):
  • the student has a strong locus of control: internal v. external - in layman's terms, it means that the student is self-motivated and can speak up, but also that he/she will show up at the course and meet requirements (less important in a tightly blended environment) with little or no adult prompting
  • the student has strong and independent time-management skills - somewhat less important in the blended or home-school environment, but still the most important skill identified by online students themselves
  • [this is often overlooked] the student perceives that he/she has the support of parent and/or teacher in academic and other life challenges - I believe that this the most important predictor, but that is not fully supported by the data
  • the student perceives that online interaction with a teacher is important - this is a biggie - online students have to be able interact with online teachers (OK, not true in poorly constructed courses and programs)
  • the student perceives that online interaction with other students is important - but this does not mean that he/she has ever done it.  In fact, true collaboration is not that common in online classes
  • the student already uses the Internet at least once a day for school-related work - what this is getting at is some facility with using applications - most online courses are tightly self-contained, but a basic icon-literacy is still necessary
  • the student perceives that the online class/learning experience is valuable - this perception is itself a motivator
  • the student perceives that he/she has the ability to meet the online class time commitment - notice that is NOT the same as goal-setting - the best courses set the goals for the student and allow for progress through failure (similar often to gaming), and for the most part goal-setting is more important for success in the traditional classroom than in the online classroom
  • the student perceives that he/she has the ability to think analytically and solve problems strategically
  • the student has a strong sense of self-efficacy with regard to using technology for collaboration and communication - it means that he/she is confident with regard to the "tech side" of online learning (this does NOT mean that he/she has experience, although in today's world smartphones probably contribute significantly to this efficacy after age 10)
  • the student is aware of his/her learning style (tactile/kinesthetic, visual, auditory/verbal) - the learning style itself does not matter, but a student who knows how he/she best learns makes the best use of online education tools and options 
  • the student's performance on standardized testing (NECAP, NWEA, PSAT, etc.) and GPA (high school only) - there is a correlation between testing performance and success in an online program (not a surprise), but low scores are generally mitigated by positive correlations in the other factors
There are also small correlations between the economic status of the family and with having a computer available at home to online success, but these were not fully supported by data at the time of my research. 

Because the instrument was never tested, benchmarks were not set by me.  So - community help is needed.

What's missing:

When I began the research, I had anticipated that the factors would reflect the same set of skills identified by Heather Wolpert-Gawron and tightly overlap, as she points out, with the list of 21st Century Skills (Collaboration, Independent Learning, Communication, Problem Solving, Decision Making, Understanding Bias, Leadership, Questioning, Persuasion, Goal Setting, Sharing the Air, Compromise, Summarizing).  This is, after all, the premise of the rise of online as a viable, even preferred, 21st Century classroom.

But in fact, mastery or even past performance of these skills does not seem to be nearly as important as perceived ability and support in learning. Moreover, the following are not indicators of success:
  • writing skills - the best 3-12 programs will guide students in developing these skills - again, the can-do attitude is important, however; so
  • goal-setting (see note above)
  • collaboration skills - again, programs worth paying for develop these skills - students only need to perceive that the skills are valuable in order to be successful
In sum: 

Online success is not as simple as being a digital native.  Is not a given for any student cohort.  It is clearly very much predicated on believing that one can be a success in a digital classroom.  In sum, it is a choice made available by technology - a great choice for many students, but a poor choice for other students.  At this point in time, that is how it should be perceived.

The great advantage to online learning is that it provides a classroom that crosses or ignores the geographical and economic boundaries that so often bar potentially successful students from classroom success. 

One way to use this questionnaire is to give it "blind" to all students in a grade or program:
  • It would be interesting to compare teacher/guidance preconceptions about student success with actual student scores. 
  • It would be interesting to see what questions point to areas of the educational program that might be made more "online ready."  If, for example, a significant percentage of students do perceive time-management or problem-solving as strengths, the school has some work to do.
If you want my questionnaire, under the Creative Commons License terms (which means giving me credit if you use it or adapt it), contact me by e-mail.  I do expect those schools that pilot it to report their results - to me and to the global community.

Sunday, February 12, 2012

The Role of Experienced ELA Teachers

The more things change the more they change. 
We need to stop pretending otherwise.  One thing that is changing slowly and steadily is the preparation and background of ELA teachers, at least in the public sector.  Certification requirements and the curricula of education programs focus on teaching, as they should, but education courses are not the same as subject rigor.  I know - I have taken 33 graduate education credits, post MLS and BA (literature) degrees.  Although one course had me reading YA novels, I read them only to experience them, not to study them.  The same was true of writing across the curriculum, of grammar and language, of edtech classes.  The focus was always on how to use the pedagogical content in the classroom, not on learning new subject content.  For that, I have been on my own for 40 years.  Thank goodness I learn best, and choose to learn best, on my own.  But I am afraid that I am a vanishing breed.  Alas, the current generation of new teachers seems to know a bit about what-to-do but not a lot about what-to-include or how-to-include-it.  Moreover, they do not seem to be especially inclined to teach themselves what they don't know. 

Wait - that doesn't make sense.  Here we are restructuring education so that the students of today can do what they do best (and supposedly want to do) - structure their own learning.  But it seems to me that we have a lost half-generation of teachers standing in the way of their success.

If you rely upon being given bread, you will not learn how to bake it, or even where to purchase it.  

Yesterday I read a plea from an in-service teacher who had to teach the research essay, but who had never written a research essay herself.  An extreme case, but OMG!  On a daily basis I read requests from novice teachers for lesson plans, activities, vocabulary lists, reading lists, grammar activities...  These are not extreme cases, they are normal. The requests range from HELP! to Hey, anyone have... I suspect that education professors send their students to EC Ning and other teacher-focused social sites just to do these searches, for there is a rash of new members with every new term. I suspect that many in-service teachers and certification candidates are seeking help with course assignments.  Many other posts are, however, from young teachers feeling pressure in the classroom. 

I understand that ELA teachers may not be prepared to teach the material they have been hired to teach.  Often, the curriculum has been designed by educators with significantly more content knowledge and with a much wider and deeper reading experience (albeit it may have been learned by teaching from a good anthology for 15 years).  I understand also that the social media generation is now beginning to teach.  Turning to ones Circle, Group, or Friends for help is second nature.  In my online graduate classes, this was required. It was wrongly labeled "collaboration."  The fact of the matter is that, unless the professor deeply followed discussions, for at least one member of each group the experience amounted to cheating.  It bothered me then, it bothers me now.  What we do repeatedly becomes habit. 

The requests for HELP from novice and in-service ELA teachers that bother me reflect a mindset consistent with searching for restaurant and purchase recommendations.  They begin with "I need" and they are consistent with easy. And too often it is easy - experienced teachers make it so.

The old role: The Experienced Teacher as Giver and Sage

I can tell the difference between the experienced, knowledgeable ELA teacher and the novice. The former writes posts offer up details of his or her own unit, and asks the community for comment, extension, or simple conversation.  The latter simply asks for materials on a plate. Not for advice, mind you, but for a complete unit or activity.

It is ironic, isn't it, that the less tech saavy are using the social media platform to collaborate, whereas the tech natives are using the platform to avoid using the platform.  Note to experienced teachers: It is a monster of our own making.

It distresses me that so many experienced, successful ELA teachers (I understand that these two qualifiers do not always go together, but only the successful have the confidence to hand out materials freely) hand over their materials eagerly.  Rarely is there a hard question asked in response to a give me query.  Rarely is there a challenge from an experienced voice.  Most of the time, experienced teachers simply share their materials, and text lists.  I do this too (at least with suggestions and text lists), but I try to also recommend that the novice teacher read the books, go to the library, and that suggestions be adapted for the students and class. I provide l-o-o-n-g lists so the novice has to investigate and do some critical decision-making.  Only once have I been thanked - I conclude that my responses require too much work (that may be why there are never Comments on my posts to this blog...).

A novice asking me for a unit will not have a success.  But she will get a unit from another experienced teacher.

It distresses me is that the outcome of these "successful" searches is the failure of the young teacher to learn - the methods, the grammar, the construction of essential questions, the literary terms, the structures of narrative and poetry - and the failure of the young teacher to deeply read and analyze the texts.  Nothing promotes educational failure more than making it easy.   I ask, how then will these teachers be able to guide students to do these same essential tasks and develop these same skills? 

Ultimately, it is the student in the classroom who loses out.  Loses doubly if funding is eventually guided by assessments based upon a rigorous CCSS, for which he will not be prepared. Loses triply if he becomes disaffected with a worksheet, programmed education and drops out of it.

It is one thing to ask a student to be a successful independent learner, it is another to know how to guide him in that process.  I am worried that today's novice teachers are not learning how to be guides, because they are not themselves being guided.  It is a lost half-generation.

The new role: The Experienced Teacher as Guide for Other Teachers

The experienced, successful ELA teacher must step up and and play a new role within the school and online learning community.  That role is to say NO to requests for answers.  That role is to say Here is a place to find information for answers.  That role is to say Here is a model, here is advice - construct and create your own lesson plan and design your own activities.  That role is to say Take a risk - if you fall down, I'll help you.

Isn't this what "teaching the individual student" is all about?  Experienced teachers must be the guides of novice teachers as they are of their students.  They must begin to guide and drive those novices to learn for themselves what to include in curriculum and how to approach it. Experienced teacher-guides must have high standards and they must insist upon rigor from the novices.

I understand that this may be a difficult role for the experienced ELA teacher, who may be most comfortable playing the role of the sage. It is a role that most have assumed would be played by the teachers at teachers' colleges.  But just as iPads and mobile devices must now become part of the ELAs teacher's toolkit, it is time that this new role within the school, the teacher's lounge and the online communities becomes a part of the experienced teacher's toolkit. 



We need to stop giving it away.  We need to begin to teach our young colleagues what we taught ourselves, so that they can do the job of teaching that they are called upon to do.

Thursday, February 9, 2012

Aliens on Earth - Read About It

Forget giant comets, nuclear war, plague, battling angels, vampires, global warming, zombies.  No threat to Earth is better that a good alien invasion.  Like all good things, good invasion lit. is hard to find.  In a good alien invasion stories, protagonists and their sidekicks struggle (1) to survive  (2) to maintain their core values even though there is little reason to do so (3) to combat - to defeat - the aliens (of course).  In really good alien invasion literature, the alien protagonist, the narrator, a really human character, is also struggling.  And we care.

Which is why these novels and films are so good for middle and high school readers who want a break from dystopian and depressing realism (to which most of these alien titles can be profitably compared). All of my titles raise serious questions about humanness, making them surprisingly good for classroom discussion.  As an extra bonus, some of the titles are funny

Essential Questions: 
  • Is it true, as maintained by author Gini Koch, that "alien characters tend to be no more or less interesting than the Earth-based heroes and villains, and in many cases, the aliens are just humans with one funky difference"?  What makes for a great alien character?
  • In what ways are alien invasions or visits in fiction reflections on or metaphors for human history or human needs and desires?  (It is often necessary to place the serious novels and the films in the time they were written in order to address this question.)
  • What are we afraid of when faced with the alien?  What do we expect?  How do we act?  Do we change?
  • Analyze the relationship of the human(s) and the alien(s).
Here, then, is the list.  Suitable for MS unless labeled as MS.

Humorous (also allegorical and cautionary) - 
  • Aliens Ate My Homework - Bruce Coville - 1st in a series - 730L - easy read for MS
  • Fat Men From Space - Daniel Pinkwater - boy gets messages...  810L
  • Martians, Go Home - Frederic Brown - come to stay, or were they always here? - MS
  • *My Teacher Series - Bruce Coville - 740L (varies) - follows the trials of middle school students who discover that their teachers are aliens - on the light side for MS
  • *Only You Can Save Mankind (1st in Johnny Maxwell Trilogy) - Terry Pratchett - not really funny because all of Pratchett has a dark side, but humorous in a Pratchett way - video aliens are real aliens - 600L - good read for reluctant readers
  • Outlanders - Johji Manabe - manga - not really funny, but graphic SF, which I find humorous
  • *The True Meaning of Smekday - Adam Rex - 740L - girl and alien on a post-invasion quest to find her mother must also save the planet from the next invasion - clever use of graphic illustration (limited) and voice (a composition by the girl) - students should have no trouble identifying references to Native American and other "conquests" and to the technologies, cultures, and places that make up the USA
Not Humorous (also allegorical and cautionary):
  • The Alien Years - Robert Silverberg - fighting aliens, from a master of SF characterization and plotting - may stretch most MS
  • Battlefield Earth - L. Ron Hubbard - classic SF - future humans finally fighting back - 780L
  • Childhood's End - Arthur C. Clarke - 990L - classic SF invasion novel - MS (mature HS)
  • *The Dark Side of Nowhere - Neal Shusterman - boy finds that he is really an alien - 850L
  • *The Day of the Triffids - John Wyndham - also a movie - carnivorous plant invasion of a blinded world (classic)
  • Footfall - Larry Niven - from a SF master, unlikely invaders, but Niven is a master - MS
  • The Forge of God - Greg Bear - two invading cultures clash - MS
  • *The High Crusade - Poul Anderson - aliens in 14th century England - some humor - high reading MS
  • *The Host - Stephanie Meyer - soul-stealing aliens - upper MS, who may recognize the author
  • *Interstellar Pig - William Sleator - as with all Sleator, questions raised - this one deals with gaming as well as with aliens - 810L
  • Invasion - Murray Leinster - MS - Kindle download - classic alternate-history-future tale - may be humorous to some, perhaps better as a cautionary tale
  • *Invasion (1st in C.H.A.O.S. series) - Jon S. Lewis - everyday boy suddenly has to battle aliens -  HL760L
  • Invasion of the Body Snatchers (also called The Body Snatchers) - Jack Finney - MS with guidance - classic that inspired all of those great B movies
  • The Kraken Wakes - John Wyndham - invasion during Cold War era is almost lost due to national mistrust - may be best in Audible dramatized version
  • *Lilith's Brood - Octavia Butler - trilogy set in a future in which Earth is to be repopulated by alien race - nice because author and characters are people of color
  • *The Man Who Fell to Earth - Walter Tevis - alien man, of course, who learns all about what it means to be Man - limited POV - MS
  • A Matter for Men (The War Against the Chtorr series) - David Gerrold - MS - giant worms - more of an action-filled story than a thoughtful one
  • *The Mount - Carol Emswiller  - MS - complex relationships in a post-invasion future where humans are the transport of aliens
  • *Omega Child - G S Anderson - alien child befriends Earth children - lighter read for MS
  • *Pod - Stephen Wallenfels - parallel and eventually interwoven stories of a boy and a girl trapped by unseen invaders in a house (he) and a hotel parking garage (she) - violence is often graphic, but psychological violence might be harder on some readers (my students loved it however) - the tight settings create excellent suspense and tension
  • The Puppet Masters - Robert A. Heinlein - classic alien-takeover novel - MS
  • *Shade's Children - Garth Nix - great MS alien fight-back adventure - only kids under 14 live in this world
  • *Stranger in a Strange Land Robert A. Heinlein - 940L classic - Grok - MS
  • *War of the Worlds - H.G. Wells - 1170L but certainly readable - great audio available, including the classic radio broadcast
  • The White Mountains (The Tripods series) - John Christopher - 920L - long-legged invaders in Britain - excellent MS reading as characterization and language are strong
  • *"To Serve Man" - classic Damon Knight story - adapted for ESL (.doc or Google Doc)
Film: (all classic films about alien arrivals) - these fall easily into categories: wistful, humorous, action drama, or dark drama.  Heads up:  at least 10 more new alien invasion movies are coming out! Ratings provided where available. 
  • Aliens and Cowboys - PG-13 - action
  • Batteries Not Included  - humorous - PG
  • Battlefield Earth - PG-13 - from the novel - action
  • Close Encounters of the Third Kind - wistful
  • Cloverfield - PG-13 - neat use of hand-held camera technique - action drama
  • Cocoon - PG-13 - wistful
  • The Day the Earth Stood Still - there are a new and and older version - as usual, I like the older - action
  • *The Day of the Triffids - at least two versions - older one is campier
  • District 9 - R - aliens segregated in Africa - violence and racism - dark
  • ET - wistful
  • The Faculty - R - dark action (from a horror genre master)
  • Independence Day - action
  • Invasion of the Body Snatchers - three versions available - I like the 2nd one - action (newer one is darker)
  • Maximum Overdrive - from a Stephen King story - more about what aliens cause than the aliens themselves - R - humorous action
  • Men in Black - humor
  • Monsters - R - aliens in Mexico City - dark
  • Starman - PG - wistful
  • "To Serve Man" - Knight and Sterling - Twilight Zone TV episode - view it here (Amazon Prime members only) - or download the radio drama - dark
  • V - TV miniseries - dark action
Video Documentary - Many people do believe...  At any rate, these will give students something to think about.


Just for fun, and because I think that how we make reading visualizations into pat graphics is also important, here are some apps and comics (apps have not kept up with comics):
  • Cows v. Aliens - app
  • Alien War - app
  • Star Warfare:Alien Invasion - app
  • Aliens on Earth - elementary school app!!  In case you want to start them early...
  • Buck Rogers - classic comics available from ComiXology
  • Formic Wars - Orson Scott Card - invasion comic series - available from ComiXology - graphic version of Ender series prequel (invasion of Earth) 
What if the human is the alien who comes to an alien culture...   This twist on the "first contact" theme is often more interesting than invasion stories.   It is an entirely different list, but a few of the better titles are listed below.  Ask: What do we learn from contact with aliens? (about humanness, about deeper values...)
  • Novels
    • *The Chanur Saga - C.J. Cherryh - aliens take on human boy stow-away - 900L (Pride of Chanur is first in this saga)
    • Contact - Carl Sagan - MS - philosophical cold-war era novel - 1010L
    • Ender series - Orson Scott Card - after the 1st book, novels deal with alienness and humanness with increasing depth and complexity - Formic Wars series deals with pre-Ender's Game invasions while post-Ender's Game titles are more about human contact with alien cultures
    • *Have Spacesuit - Will Travel - Robert Heinlein - humorous adventure - 770L
    • The Hitchhiker's Guide to the Galaxy (and sequels) - Douglas Adams - humorous adventure classic
    • The Jupiter Project - Gregory Benford - youth seeking alien contact
    • *The Knife of Never Letting Go - Patrick Ness - first in a trilogy
    • Little Fuzzy - H. Beam Piper - cute little aliens in this classic - currently free for the Kindle as part of a class SF story series (this is a long story)
    • *Martian Chronicles - masterwork by Ray Bradbury - all 7-9 graders should read all or selected shorts 
    • Mission of Gravity - Hal Clement - human visitors as viewed from alien POV
    • *Nor Crystal Tears - Alan Dean Foster - told from alien POV - 1st contact with 2-legged creatures - followed by the Commonwealth series
    • The Sirens of Titan - Kurt Vonnegut - 980L - what does it mean to be human? - MS
    • Sparrow - dark and adult - mature HS readers only (sex, religion) - MS
    • Star Trek - those novels are still available for reluctant and action MS readers
    • *The Taken Trilogy (Lost and Found: a Novel is 1st) - Alan Dean Foster - GT in MS or HS
    • *Tunnel in the Sky - Robert Heinlein - teens stranded on alien plant - makes you wonder about the source of so many dystopian titles...
  • Film & TV
    •  Avatar (film)
    • Star Trek - any classic voyage from the early TV series or Next Generation is great - recommended:  "The Trouble with Tribbles" for humor and "Arena" for drama 
The Aliens R Us v. Us - This is the heavy stuff that the lighter SF readings should lead up to. 
  • Contemporary and historical study of "different" as "alien" will expand student reading of these novels.  You will not have to look beyond the cafeteria, but certainly the History department can help, or the newspapers. 
  • And do not neglect to compare your SF alien novels to some realistic novels about what happens when an alien (someone different) enters a community.  The essential questions will be the same.  Here are a few titles to get you thinking:
  • The Bluest Eye - Toni Morrison - 920L - wanting to be white-perfect - MS (although my daughter read and loved it in 8th)
  • The Body of Christopher Creed - Carol Plum-Ucci - death of the "odd" boy causes protagonist to reevaluate difference - 720L
  • Elk's Run - Fialkov - graphic novel will please HS boys, especially in rural areas - the "alien" here is revealed slowly - powerful book HS only with care (lots of the F word, content violent)
  • Feathers - Jacqueline Woodson - white boy joins all-black middle school class
  • Firegirl - Tony Abbott - scared girl enters middle school class - 670L
  • The Girl Who Fell From the Sky - Heidi Durrow - struggles of bi-racial girl in black community - MS
  • Guests - Michael Dorris - children's book with a big punch
  • Jasper Jones - Craig Silvey - Australian authors writes of the "outsider" boy in a small community, a community in darkness - HL590L, but not for below 7th - I love this book - Prinz Prize
  • The Laramie Project - Moises Kaufman - murder of a gay young man causes town to reexamine difference - play form - MS
  • Little Bee - Chris Cleave - Nigerian refuge girl in Britain - MS
  • Native Son - Richard Wright - 700L - story of young black man in mid-century Chicago - MS
  • Open City: A Novel - Teju Cole - stream-of-consciousness - Nigerian immigrant's insights into life, contemporary culture...  2012 National Book Critics' Award finalist - MS
  • Sarah Canary - Karen Joy Fowler - she may be an alien, or something else - historical US setting - MS
  • Stargirl - Jerry Spinelli - free spirit enters high school - 590L
As always, suggestions and comments are sought.